Photoshopped Composition: Heaven is only for the faithful (Size: 16.5 in × 21 in)
Heaven is only for the faithful
Course: Intro to Adobe Photoshop (Fall 2019)
Photoshopped illustration that conveys the connection between the concept of Heaven and being faithful. The composition carries stylized type that brings on the appeal of a serene background and an infused message behind it. Overall, I combined stylized typography with a serene background and effects to convey both aesthetic, tranquil appeal and a meaningful, uplifting message.
Typographic Poster: Goudy text Blackletter Typeface History Poster (Size: 30.5 in × 40.5 in)
Typographic Poster: Goudy text Blackletter Typeface History Poster (Size: 30.583 in x 40.583 in)
Course: Typography (Fall 2024)
This poster explores the history and visual impact of the Goudy Text Blackletter typeface. The design emphasizes the dramatic forms and traditional roots of blackletter while presenting them in a clean, modern composition. The large scale and bold color palette were chosen to convey authority and historical weight while maintaining contemporary readability.
Typographic Poster: Century Old Style History Poster (Size: 26.5 in × 35.5 in)
Century Old Style History Poster
Course: Typography (Fall 2024)
This design is a typographic poster that highlights the typeface called Century Old Style. This is an educational showcase of Century Old Style and a visual composition exploring balance, layering, and dynamic presentation. The objective of this project was to craft a typographic poster that spotlights the Century Old Style typeface.
Poster 1
Poster 2
Poster 3
Poster 4
Poster 5
Headphones "Xerography" Art
Course: Copy Culture (Spring 2026)
This xerography series uses a pair of headphones as the main subject and plays with sizing. distortion, repetition, blurring, and visual effects to change how each image appears. Each print builds on the last, moving the image further away from its original form. The repetition shows how small changes in scale and effect can completely change how something looks and feels. As the image gets repeatedly manipulated, the headphones shift from a clear recognizable object into something more abstract and unstable. The overall goal was to see how far a simple object can be pushed through xerography techniques and how changing the image repeatedly can affect clarity and perception.
Book: MASSIVE (Size: 8.5 in x 11 in)
Book: Massive (Size: 8.5 in x 11 in), 44 pages, 2026
Course: Copy Culture (Spring 2026)
MASSIVE is a publication that adapts imagery of infrastructure, control, and transportation from an existing book and remixes it to provoke thought on human responsibility for disaster. It draws imagery from the source, Massive Change Bruce Mau, Jennifer Leonard, and the Institute without Boundaries, while redacting text, manipulating images, and adding language, annotations, and bold overlays. The inspiration for this project was to get readers to think about why they are drawn to looking at worldly and various disasters. The overall goal of my remixed book was to shift from clarity to instability, revealing the underlying complexity and risk within the systems being presented.
